9th Annual
 

October 6 & 7,
2007
   "Columbus Day Weekend"

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2007 Artist Lineup

Saturday Oct. 6th

Sunday Oct. 7th


Mike Hammar & the Nails
with
Alan "B3 Blues" Carrol

Deja Blues

Daniel Castro

West Fresno Blues Review:

Hosea Leavy, Joe "Boy" Walton, Johnny DaDoo Wilson, Chris Millar
 



Big Nation

Ron Hacker & the Hacksaws

Anthony Paule
featuring:
Mz. Dee & Nancy Wright on Sax

Mitch Woods and the Rocket 88's


 

 

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After each performance there will be an autograph session to personally meet the artist and sign CD's.

Saturday October 6th

Mike Hammar & the Nails
with
Alan "B3 Blues" Carrol

http://www.mikehammar.com
 




 


Mike Hammar has been playing the blues in Central Valley and East Bay Area of California for the past 25 years. This Oklahoma born Native American was brought up on the blues by his father Mike Hammar, Sr. who introduced him to the music of Lightin' Hopkins, Gatemouth Brown, T-Bone Walker, and BB King. Still, Mike considers local bluesmen to be some of the greatest influences in his career.  Mike spent time learning from and playing with all of his local heroes.

After years of being a sideman, Mike set out to create his own legacy. He put together a hard working blues band in 2001 and swore he would do his best to record and perform his own style of blues. Mike Hammar and his band, The Nails, released their first album "Going Home" in the summer of 2004. Their album has received airplay on American Roots Music Radio in Norway, England, Germany, Belgium, Canada, and on the college radio circuit here in the United States. They have opened for Duke Robillard, Michael Burkes, Chris Cain, James Armstrong, Daniel Castro, Jerry Portnoy, Smokin Joe Kubek and Bnois King,  and Tutu Jones, to name a few.

Mike and the band are currently playing as many dates as they can while writing their second album. Mike brings a fiery fusion of many styles of blues guitar with passion and a whole lot of heart and soul. 
                                                                               

 

Deja Blues
http://dejabluesmusic.com
 

Deja Blues has been playing around the Central Valley for over 8 years.  Formed out of the want to play blues songs we really enjoy.  We believe that if we play songs we love, that feeling will be passed onto our audience where they will join right into the fun. Every now and then a group of musicians get together that really make something special and this is just that.  With some member changes along the road, its staple has been that of Jim “Gumbo” Furnas on guitar & vocals and Don Heflin on     bass & vocals. Opening for many great blues artist along the way, like Sonny Rhoads, Ron Thompson, Rod Piazza,
Little Charlie, Tommy Castro just to name a few . Now with Rich Graham, (original keyboardist for Hwy 61) and Don “Squeek” Clarey (drummer of The Groove Mercenaries) on board, there is a new sense of feel and groove we are sure you will enjoy.




 

Daniel Castro
http://www.danielcastro.com
 



                      photo by Richard Trudeau

 

Daniel Castro is a force on guitar. With his pure passionate sound reminiscent of B.B. King, Albert King, and Albert Collins, he is on the forefront of the Bay Area Blues Scene.

Arriving in the Bay Area only a short time ago with his trademark Fender Telecaster and backed by one of the hottest bands around, he has already gained quite a reputation as a Bluesman.

Born in 1954, Daniel started playing guitar at the age of 12, when his older sister gave him a $13 guitar and a stack of B.B. King albums. She taught him his first three chords and he's had the Blues Bug ever since.

His real Blues education came at the age of 15 when he began playing the Blues Scene in South Central L.A. There he was noticed by "Loud Mouth" Delmar Evans, who had been working with the Johnny Otis Show. Daniel cut his teeth backing up many of the great artists from the Johnny Otis Show, including Pee Wee Crayton, Little Ester Phillips, and Delmar Evans himself. They all took Daniel under their wings and he toured with many of them across the U.S. From there, Daniel began fronting his own Band, playing clubs from San Diego to L.A., always playing from his heart, and trying to live up to the integrity of the musicians who taught him how to play the Blues.

In 1989, Daniel began commuting to the Bay Area, playing a series of monthly venues. In 1995, he made the move permanently, putting together a band that literally burns up the stage. The Daniel Castro Band provides an incredible musical spirit and is an awesome vehicle for Daniel's guitar playing, leaving audiences in a cold sweat of amazement.

The Band is just as comfortable playing tough, raw Chicago Blues as they are playing a hard-driving-funky-rockin'-down-home-boogie. Continuously playing to a captivated audience and consistently bringing the house down, Daniel keeps his band soaring while always remaining true to his Blues roots. His style of Blues has taken him through tours of Japan and the U.S., including Chicago, New York, New Orleans, St. Louis, and Austin. He has shared the stage with John Mayall, Joe Lewis Walker, Walter "Wolfman" Washington, The Staple Singers, CJ Chenier, Long John Hunter, Tab Benoit, and many other great artists.

With the Daniel Castro Band you are guaranteed great Blues. The kind that gives you the uncontrollable urge to dance, as well as heart wrenching songs to move your soul.

Daniel Castro is a legend in the making.

  

 

West Fresno Blues Review:

Hosea Leavy, Joe "Boy" Walton, Johnny DaDoo Wilson, Chris Millar
http://www.lineonline.org/millar.html
 

 Biography Not Available

 


photo by Henry Provost

 

 


Sunday October 7th

Big Nation
Big Nation's Website
 

Big Nation is an American Band that is dedicated to keeping indigenous American Music alive. According to guitarist Joel Kemps, “American Blues and early Rock & Roll are at the center of our music. We want to keep this musical genre alive in the hearts of our fellow Americans. Music is an art form and we want people to continue to enjoy this art form”. Big Nation has taken the over 40 years of experience of Joel Kemps and fused it with the versatility of veteran drummer Mike Cline and modern rock bassist Mike Brenner. This has produced a sound that incorporates the older school of blues and early rock, with a more modern style that comes from a tight rhythm section. Big Nation can play either softer jazz versions of classics or crank out the harder sounds of West Texas style Blues and Rock. We also believe in God and want to be able to honor Him through various songs that we perform; therefore we are careful about the lyrics that we incorporate into our music because we want entire families to have fun enjoying our sound. Because of their versatility, Big Nation is able to perform in different venues ranging from motor cycle club rallies, festivals, community events, fundraisers and everything in between.

 


 

 

 

Ron Hacker & the Hacksaws
http://www.ronhacker.com
 



                           photo by Richard Trudeau

 

Ron Hacker "The first time I got the blues, I mean really got the blues, was in 1956. A friend and I got caught breaking into parking meters. I was eleven - he was twelve. Off we went to the juvenile center. The counselors in the center were young Afro-Americans in their twenties and they loved their music, like young dudes do. In '56 their music was Elmore James, Howlin' Wolf, Muddy Waters, B.B. King, Jimmy Reed. I fell in love with the music and it's been a part of my life since then. As I've gotten older I've tried to concentrate more on playing the Blues than living them."
After teaching himself to play guitar, Ron met the late Yank Rachell, famous partner of Sleepy John Estes. Yank trained Ron on the finer points of Delta Blues, and they became life-long friends in the process.

The actor Peter Coyote helped Ron get his first gig in San Francisco at a neighborhood coffee shop. It wasn't long before Ron put together the Hacksaws and was tearing it up in clubs all over the Bay Area.

Since then, Ron has played every major festival in Northern California, including the Monterey Jazz Festival, the San Francisco Blues Festival and the Marin County Blues Festival. Ron has also toured extensively in Europe playing major festivals in Belgium, Holland, Denmark, and Norway.

Ron has put out five albums which include "No Pretty Songs", "Bar Stool Blues", "I Got Tattooed", "Backdoor Man", and "Burnin".

Movie credits: "The Blues Guy" in Just Like Heaven; September 2005

 

Anthony Paule
featuring:
Mz. Dee & Nancy Wright on Sax
http://www.anthonypaule.com

 

Anthony Paule (guitarist/vocalist/songwriter), was born in Durban, South Africa. When he was only 10 months old, his family moved to Los Angeles, California, where they stayed until he was 15.

“When I was a kid in L.A. there was a club called the Ashgrove, where you didn’t have to be 21 to get in. All the local and touring blues bands would play there. I would go there with my older brothers to see and hear many great performers such as T-Bone Walker, Joe Turner, Roy Milton, Johnny Otis, John Lee Hooker, and Johnny Shines.”

The next move was to Northern California, where he still resides. His earliest guitar influences were Elmore James, B.B.King, and John Lee Hooker. Anthony, has spent the major part of his career in the supporting role. Since 1987, he’s recorded and toured with the likes of Earl King, Brownie McGhee, Charlie Musselwhite, Bo Diddley, Jody Williams, Johnny Adams, Maria Muldaur, Tom Rigney, Johnny Nocturne, Brenda Boykin, Boz Scaggs, Doug Jay, Phil Guy, Faye Carol, Johnnie Johnson, Mark Hummel, Big Jay McNeely, Louisiana Red, and Tommy Ridgely.

He’s performed at the du Maurier Jazz Festival, in Vancouver, B.C.; the Victoria Jazz Festival, Victoria, B.C.; the Monterey Jazz Festival; the San Francisco Blues Festival; Summerfest, Milwaukee; the Sacramento Blues Festival; Juneau Jazz Festival, Alaska; The 1996 Summer Olympics, Atlanta; Mississippi Valley Blues Festival; Eureka Springs Blues Festival;The Waterfront Blues Festival, Portland; Bumbershoot, Seattle; Umbria Jazz Winter Festival, Orvieto, Italy; Umbria Jazz Summer Festival, Perugia, Italy; Massa Maritima Blues Festival, Italy; Bordighera Blues Festival, Italy; Charleroi BluesFestival, Ecaussinnes Spring Blues Festival, & Negar Blues Festival, all in Belgium; Amsterdam Blues Festival; Wakura Blues Festival, Japan; Yapi Kredi Youth Festival, Istanbul, Turkey.


 

 

 

Mitch Woods and the Rocket 88's
http://www.mitchwoods.com

 
 
Mitch Woods
and His Rocket 88s have been the torchbearers of a great  American blues musical heritage, not for two years but two decades. Taking their inspiration from the great jump n' boogie outfits of the late 40s and early 50s, they breathe fresh life into the music that gave birth to rock n' roll. Woods styled his group after the jumpin' n' jivin', shoutin' n' honkin', pumpin' n' poundin' bands of Louis Jordan, Wynonie Harris, Joe and Jimmy Liggins, Amos Milburn, and Roy Milton. Adding a healthy dose of New
Orleans rhythm and blues, pile drivin' piano, and some of his own contemporary playful lyrics, Woods and His Rocket 88s forge their own brand of music they call "rock-a-boogie."

Mitch Woods and His Rocket 88s, which started in 1980 and quickly rose to the top of the Northern California club circuit. Their first album, Steady Date (Blind Pig Records) got hot reviews in 1984 and led to appearances at two San Francisco Blues Festivals, openings for the Fabulous Thunderbirds, Stevie Ray Vaughan, The Blasters, The Neville Brothers, and James Brown. By
1987, Woods was doing a six-country Europe tour highlighted by a rousing performance at the Belgium Rhythm and Blues Festival.

Woods toured constantly in the mid-1990s, stopping long enough to put out Shakin' the Shack (Blind Pig Records) in 1998. Woods wrote all but one song, demonstrating how well he's absorbed the conventions of blues and boogie woogie music, further proving his ability to inject new life into these vintage forms. Woods also realized another dream in 1998 when he brought
together some of the surviving kings of the American blues legacy, like John Lee Hooker, James Cotton, Johnnie Johnson, Earl King and Lee Allen, to make Keeper Of The Flame (Lightyear/WEA Records), all paired with Woods in a wonderful run of classic tunes.

 

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